1868-1871 Ladegast, Schwerin
1868-1871 Ladegast, Schwerin
Orgelbauer: Ladegast
Baujahr: 1868-1871
Stil: Romantisch
Klaviaturen: 4 Manuale + Pedal
Registerstimmen: 84
ab 666,00 €
Orgelbauer: Friedrich Ladegast
Baujahr: 1868-1871
Stil: Romantisch
Klaviaturen: 4 Manuale + Pedal
Registerstimmen: 84
Land: Deutschland
Ort: Dom, Schwerin
semi-dry: benötigte Hauptwerk-Software:ab HW 4.2
surround: benötigte Hauptwerk-Software: ab HW VII
Benötigter RAM-Speicher: 18 GB
Sample-Hersteller: Sonus Paradisi
I. Manual
|
II. Manual
|
III. Manual
|
| Principal 16′ Bordun 32′ Bordun 16′ Principal 8′ Doppelgedackt 8′ Flaute major 8′ Gemshorn 8′ Gambe 8′ Rohrquinte 5 1/3′ Octave 4′ Rohrflöte 4′ Spitzflöte 4′ Terzflöte 3 1/5′ Quinte 2 2/3′ Octave 2′ Cornett IV Cornett Mixtuur IV Cymbel III Trombone 16′ Trompete 8′ |
Principal 16′ Quintatön 16′ Principal 8′ Bordunalflöte 8′ Rohrflöte 8′ Quintatön 8′ Fugara 8′ Piffero 8′ Octave 4′ Flautino 4′ Flöte 4′ Quintatön 4′ Quinte 2 2/3′ Octave 2′ Cornett III Progress. Harm. III-IV Scharf IV Oboe 8′ Fagot 16′ Tremulant |
Geigenprincipal 8′ Gedackt 8′ Doppelflöte 8′ Flauto traverso 8′ Salicional 8′ Gedackt 4′ Fugara 4′ Piffero 4′ Nassat 2 2/3′ Piccolo 2′ Progr. Harm. II-IV Clarinette 8′ Glockenspiel Tremulant |
IV. Manual
|
Pedal
|
|
| Viola 16′ LIeblich Gedackt 8′ Zartflöte 8′ Viola d’amore 8′ Unda maris 8′ Flauto dolce 4′ Salicional 4′ Flöte 2′ Harmonia äther. III Aeoline 16′ |
Violon 32′ Untersatz 32′ Principalbaß 16′ Octavbaß 16′ Violon 16′ Subbaß 16′ Salicetbaß 16′ Terz 12 4/5′ Nassard 10 2/3′ Principal 8′ Cello 8′ (stark) Cello 8′ (schwach) Bassflöte 8′ Nassard 5 1/3′ Octave 4′ Flötenbaß 4′ Cornett IV Posaune 32′ Posaune 16′ Dulcian 16′ Trompete 8′ Trompete 4′ |
- Couplers: II/I , III/I, IV/I, I./Ped.
- Combinations: I., II., III., IV., Ped.
- Tremulant affecting II. and III. Manuals
- Ventils: I. (Abt. 1), I. (Abt. 2), II. (Abt. 1), II. (Abt. 2), III., IV., Piano Pedal, Pedal Forte, starken Bässen.
- Pneum. Werk: a kind of Barker machine. In Hauptwerk, this stop was used to add more wind to the instrument, making the response of pipes easier, thus allowing for more precise response to the key touch.
- Crescendo – Decrescendo
- Calcantenrufer 1, Calcantenrufer 2 (indicating presence of wind in the windchests).
- Vth Manual presents drawstops for two more ranks: Violine 2 and Waldfl. 2. These drawstops are mute and have no sounding pipes. Moosmann explains, that they were included only „for symmetry“ – to make the jambs look better.
Systemanforderungen: |
||
| semi-dry: HW-Version: ab HW 4.2 surround: HW-Version: ab HW VII |
||
RAM-Anforderungen: |
||
geladene Version |
RAM-Speicherbedarf |
|
| 2-Kanal, semi-dry | 16 Bit | 18,0 GB |
| 2-Kanal, semi-dry | 20 Bit | 31,0 GB |
| 2-Kanal, semi-dry | 24 Bit | 34,0 GB |
| 6-Kanal, surround | 16 Bit | 50,0 GB |
| 6-Kanal, surround | 20 Bit | 88,0 GB |
| 6-Kanal, surround | 24 Bit | 96,0 GB |
Sigfrid Karg-Elert: Nun danket alle Gott by Aarnoud de Groen
Felix Mendelssohn Bartholdy: „Sei stille dem Herrn“ from „Elias“ by Christian Brembeck
Felix Mendelssohn Bartholdy: Allegro, Choral und Fuge (1844) by Christian Brembeck
Georg Friedrich Handel / arr. OH. Peasgood: Hornpipe in D major (from „Water Music“) by Pieter Leebeek
Max Reger: Toccata in D minor op. 59 no. 5 by Pieter Leebeek
Johann Ludwig Krebs: Trio by Erik Simmons